Ambrosius Holbein
1494-1519
German
Ambrosius Holbein Gallery
Ambrosius Holbein (c. 1494 ?C c. 1519) was a German and Swiss artist in painting, drawing and printmaking. He was the elder brother, by about three years, of Hans Holbein the Younger and like his brother was born in Augsburg (which today is in Bavaria, but then was a free imperial city), a center of art, culture and trade at that time. His father Hans Holbein the Elder was a pioneer and leader in the transformation of German art from the Gothic to the Renaissance style. In his studio both his sons, Ambrosius and Hans, received their first painting lessons as well as the an introduction to the crafts of the goldsmith, jeweller and printmaker.
Portrait of a Boy with Blond Hair, 1516, BaselIn 1515 Ambrosius lived in the Swiss town of Stein am Rhein, where he helped a Schaffhausen painter named Thomas Schmid with the murals in the main hall of the St George monastery. The next year saw Ambrosius, as well as his brother Hans, in Basel, where he initially worked as a journeyman in Hans Herbster??s studio. In 1517 he was enrolled in a register of the Basel painters' guild and in 1518 he was naturalized as a citizen there.
The Portrait of a Boy with Blond Hair and its companion, the Portrait of a Boy with Brown Hair, are among Ambrosius?? best works of this period. Both are nowadays in the Basel Kunstmuseum.
Ambrosius Holbein ranks among the most important of Basel??s illustrators and prominent „small formats?? artists. Related Paintings of Ambrosius Holbein :. | Young Boy with Brown Hair | Portrait of a Young Man | Portrat eines jungen Mannes | Portrat eines Knaben mit blondem Haar | Portrait of Philipp Melanchthon | Related Artists: Rufus HathawayAmerican country painter , 1770-1822
American painter and physician. He may have been apprenticed to ship-carvers and decorators, but he was not trained in fine art. His earliest known portrait, Lady with her Pets (1790; New York, Met.), demonstrates his unsophisticated, decorative style. Between 1790 and 1796 he seems to have worked as an itinerant artist; only portraits of relatives and friends survive. During his life he painted at least 25 portraits as well as miniatures, views and decorative overmantels. He also painted a genre subject, the Welch Curate, c. 1800 Jean-Baptiste HuysmansFlemish
1654-1716
Gavin HamiltonScottish Neoclassical Painter, 1723-1798,Scottish painter, archaeologist and dealer, active in Italy. He was educated at Glasgow University and in 1748 arrived in Rome to study portrait painting under Agostino Masucci. He lodged with the architects James Stuart and Nicholas Revett; they probably encouraged him to visit Herculaneum and the recently discovered archaeological site of Pompeii, which had a profound effect on his subsequent career. Convinced that 'the ancients have surpassed the moderns, both in painting and sculpture', Hamilton undertook a systematic study of Classical antiquities during the 1750s and 1760s. In 1751 he was briefly in Scotland, where he painted a full-length portrait of Elizabeth Gunning, Duchess of Hamilton (Lennoxlove, Lothian), in a conventional style derived from van Dyck. He returned to Rome in 1752 and remained there, with the exception of short visits to England, for the rest of his life. In 1755 he was introduced by Anton Raphael Mengs to Johann Joachim Winckelmann, who was to become one of the leading theorists of Neo-classicism. In the same year Hamilton entertained Robert Adam, who studied in Rome from 1755 to 1757. He was to know and encourage almost all the British artists who worked in Rome during the second half of the 18th century. Henry Fuseli, who was not an uncritical admirer, wrote of Hamilton in 1805,
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